‘A Flint for the Memory’: A Note on British Ambient and Drone Music

A common theme throughout the history of earth mysteries is engagement with the spirit of places around us. Artists and writers have creatively explored this interface, and Mark Valentine suggests how drone music is exploring the same area For the past 10 years or so, a new musical form has been emerging amongst independent artists

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#8: “We shall not cease from exploration…”

“We shall not cease from exploration…”  Eliot’s advisory for perception. 3 We have been talking of the past, and of the present, and of the hauntological membrane of experience between them. That membrane is of course unanchored, timeless, a hiatus between the twin towers of objective evidence and lived documented experience. Between the two lies

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#7: What’s the editor on about? Earth mysteries, phenomenology and psychogeography

Paul Screeton asks, quite reasonably, what’s the editor on about? Modern understandings of the past, says the editor…   Paul Screeton, Seaton Carew: What to call ourselves collectively is a topic which not only has its peaks of discussion while forever in flux, but also there are also elements of cultural tracking. Neo-antiquarianism distinctly takes inspiration

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#6: That obscure object of desire: Leys, Watkins and ‘energies’

  (ill. Davina Ware) In 1972, walking up Glastonbury Tor, I was talking with a chap who, like me, had just hitch-hiked into town. As we approached the tower, he started talking about leys, which he’d just read about. For some reason, the topic sparked off something inside me; the next day I headed home

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